PROFESSIONAL SUMMARY

I am an editor with significant experience in book production, including project management, substantive manuscript editing and copy editing, building editorial schedules, developing style sheets, compiling scholarly apparatuses and technical graphics, obtaining image permissions, caption editing, formatting bibliographies, assisting with design layouts, writing and editing jacket copy, and coordinating with curators, authors, proofreaders, translators, indexers, designers, and printers. I also have extensive experience editing exhibition-related didactics (wall text and object labels) and promotional materials.

MUSEUM PUBLICATIONS

Editor: French Art of the Eighteenth Century: The Michael L. Rosenberg Lectures (Dallas Museum of Art, forthcoming); A Discourse Through Time: The Photographs of Ursula Schulz-Dornburg* (J. Paul Getty Museum, forthcoming 2026); Redon: Otherworldly Visions* (J. Paul Getty Museum, forthcoming 2026); Instante/Revelación: Moments in Mexican Photography* (J. Paul Getty Museum, forthcoming 2026); Ancient Nubian Art: A History (J. Paul Getty Museum, forthcoming 2026); Queer Lens: A History of Photography (J. Paul Getty Museum, 2025); Lines of Connection: Drawing and Printmaking, ca. 1400–ca. 1850 (J. Paul Getty Museum, 2025); Gustave Caillebotte: Painting Men (J. Paul Getty Museum / Musée d’Orsay, 2024); Paper and Light (J. Paul Getty Museum, 2024); Cyberpunk: Envisioning Possible Futures (Academy Museum of Motion Pictures, 2024); Fashioning San Francisco: A Century of Style* (Fine Arts Museums of San Francisco / Cameron Books, 2024); Kehinde Wiley: An Archaeology of Silence* (Fine Arts Museums of San Francisco / DelMonico · D.A.P., 2023); Agnès Varda: Director’s Inspiration (Academy Museum of Motion Pictures / DelMonico · D.A.P., 2023); Guo Pei: Couture Fantasy* (Fine Arts Museums of San Francisco / Yale University Press, 2022); Wangechi Mutu: I Am Speaking, Are You Listening?* (Fine Arts Museums of San Francisco / DelMonico · Prestel, 2021); Van Gogh and the Olive Groves (Dallas Museum of Art / Van Gogh Museum, 2021); The Photographs of Arnold Genthe (Fine Arts Museums of San Francisco / Cameron Books, 2021); The Sculpture of Ruth Asawa: Contours in the Air, rev. ed.* (Fine Arts Museums of San Francisco / UC Press, 2020); James Tissot* (Fine Arts Museums of San Francisco / DelMonico · Prestel, 2019)

*also project manager

Contributing Editor: The Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union, Zimmerli Art Museum, Rutgers University (website); de Young: Selected Works (Fine Arts Museums of San Francisco, 2021); Beyond the Uncanny Valley: Being Human in the Age of AI (Fine Arts Museums of San Francisco / Cameron Books, 2020)

Bibliographic Editor: Sargent and Paris (Metropolitan Museum of Art, 2025); Vertigo of Color: Matisse, Derain, and the Origins of Fauvism (Metropolitan Museum of Art, 2023)

NONFICTION/FICTION TITLES

Art, Identity & Cultural Diplomacy: (Re)Inventing Eastern and Western Europe from the Cold War to the Present (Leuven University Press, forthcoming); Every Last Breath (University of Utah Press, 2020); Gone Bird in the Glass Hours (University of Utah Press, 2020); Back Cast (University of Utah Press, 2018); Reimagining a Place for the Wild (University of Utah Press, 2018); The Tanner Lectures on Human Values, volume 37 (University of Utah Press, 2018); An American (Homeless) in Paris (University of Utah Press, 2017); Bad Summon (University of Utah Press, 2017); The Tanner Lectures on Human Values, volume 36 (University of Utah Press, 2017); This Is the Noise That Keeps Me Awake (Akashic Books, 2017); Cold-Blooded, repr. (Amok Books, 2015); On the Run with Bonnie and Clyde (Amok Books, 2013)

SKILLS

·       Comprehensive knowledge of the Chicago Manual of Style, AP style, and The Bluebook

·       Comprehensive familiarity with standard copyediting and proofreading symbols

·       Proficiency in Adobe Acrobat, InCopy, InDesign, Excel, Microsoft Word, and Airtable

·       Basic proficiency in Photoshop

·       Basic proficiency in WordPress, Joomla, and Drupal content management systems

·       Intermediate–advanced proficiency in French